[Z609.Ebook] PDF Ebook Wicked: A Dark Stepbrother Romance, by Alyssa Alpha

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2 Wicked Stepbrothers, 1 Innocent Girl...
Twin brothers, out to get the same forbidden girl - their stepsister. Both of them were born with darkness in their hearts.
Kade hid it, closed his eyes & pretended it wasn't there. Parker fed it until it grew big and menacing.
Lily Ford has no idea what's coming for her.
In love with one of her stepbrothers and best friends with the other, she needs to choose before the darkness comes for her.

***Wicked is a DARK romance! Standalone, full-length, no cliffhanger! For mature audiences only.***
Wicked was previously published under a different pen name.

• Sales Rank: #339524 in eBooks
• Published on: 2015-07-06
• Released on: 2015-07-06
• Format: Kindle eBook

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5 of 5 people found the following review helpful.
Incredible, intense read!
By Linda Miller
" Wicked" was wickedly good! I could not put this book down I read it in a few short hours !
Parker and Kade; twin brothers raised by their father alone after their mother dies in childbirth but when they were in their. Teens their father remarried and they get a beautiful little stepsister , Lily. Lily and Parker form an instant bond, always together and the best of freinds, however Kade and Lily never quite bond the same way.
Years later the relationship is much the same , Parker always there to support her and Kade is distant , Kade has figured out why he was always uncomfortable around Lily and still is, it is hard to be in love with your stepsister when your not supposed to feel that way.
To say Kade and Lily's relationship is strained is putting it simply, but it becomes even more s o when the boy's father passes Then shortly after they loose Lily's mom to breast cancer. Everything goes to hell then, the company that their father and her mother built somehow gets left to Lily only, the boys are forced by lawyers from this family home and to spite Lily trying to include them , most of the money is tied up in the company .
Parker and Kade's resentment of Lily grows and one drunken night Kade comes up with the idea to seduce Lily, marry her and then divorce getting the half they should of had all along, for Kade a sober mind regrets ever having the thought because his heart still wants Lily, he never stopped loving her!
Parker however , once he gets something in his head, it is all engines ahead full Parker uses his closeness from the last with Lily to get back together with her , but Kade still keeps his distance, well until she asks him to kiss her that is, it turns out Lily has always had a crush on Kade too!
Kade can't bring himself to tell Parker and he has no intention of going through with his original plan , but Parker begins to get more and more agitated with Lily because suddenly she has no time for him, he has no idea it is because Lily and Kade ar dating, and when he finds out Parker becomes unglued, physically and mentally; at this point the book takes a dark turn. Not only are you dealing with a rift between twin brothers , but Parker is fixated on revenge, thoughts of killing his brother and then claiming Lily for his own.
The author takes you through twist and turns and the dark thoughts and actions of Parker , she has you sitting in the edge for the rest of the book to see what will happen and if Kade and Lily , can make a go of a relationship and survive Parkers plotting!
Absolutely intense read, be prepared to loose a few hours because their is no putting this book down!

3 of 4 people found the following review helpful.
Which brother do you choose?
By Kbries
I thought this was an fantastic stepbrother story. Lily, Kade and Parker grew up together. Happy family until one day, Kade and Parker's Dad dies. Lily's mom dies soon after. With no written agreement all the family money is left to Lily. Angry, the twin brothers decide they will do anything to get what belongs to them. What happens thought when one brother wants something different than the other? This is a great story of love and dark pain. I enjoyed it and could not put it down.

0 of 0 people found the following review helpful.
Dark and Twisty Step-Brother Romance
By Kathleen O'Neill
I received an ARC of Wicked by Alyssa Alpha in return for my honest opinion.
Wicked is a fast paced twisted love story. The story is dark and may not be suitable for those who are offended by physical, sexual, and mental abuse towards women.
Lily is the beloved step-sister and Parker and Kade are her step-brothers. Both brothers are in love with Lily but in completely different ways. The three step siblings are all that is left of their blended families. Lily inherited the business and the boys didn't receive anything. The brothers decide that they want their share, and decide to make Lily pay. However, both brothers, Kade and Parker figure out that they are both in love with Lily, and neither wants to back down. What follows is a twisted tale of love, hate and revenge. The story does span a few years and does have a HEA ending.
The story was fast paced and was an easy read. I would read more of Alyssa Alpha's books.

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• Published on: 1996
• Binding: Paperback

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Alagaesia cobra vida de una forma exuberante y detallada en una tierra magica e inolvidable. Desde elfos, enanos, urgalos, seres humanos y dragones, al paisaje natural y la magia que contiene, Eragon ofrece al lector un recorrido sin igual. Este libro a color contiene 15 hojas con espectaculares obras de arte, y una vision fascinante de la casa de Eragon. Contiene joyas preciosas que adornan la portada y paginas llenas de sobres, muestras de piel de dragon, y mas. / Alagaesia comes alive in a lush and detailed look at an unforgettable magical land. From elves, dwarves, humans, and dragons, to the natural landscape and the magic it contains, Eragon himself offers the reader a unique tour. This oversized, full-color book provides 15 spreads chock full of spectacular artwork, engaging novelty elements, and fascinating insights into Eragons home.

• Sales Rank: #4038129 in Books
• Published on: 2011-02-15
• Original language: Spanish
• Number of items: 1
• Dimensions: .90" h x 10.20" w x 12.00" l, 2.04 pounds
• Binding: Hardcover
• 32 pages

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0 of 0 people found the following review helpful.
A Wonderfull book!!!!
By Caroline Torres
Guaoooo!! It is a wonder full!! Now I read the books in the series with this guide to me. It allows me to be imagining the landscapes and characters. Great job!

0 of 0 people found the following review helpful.
i love it
By Silvia Paulina Ramírez
this is a really ilustrative way to help the book collection to be more comprensive and really creative... i love it too much...

0 of 0 people found the following review helpful.
Amazing
By Javier Bayona
It was a gift for my girlfriend and after she saw it and read it told me it's amazing a lot of interesting stuff in it

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[H342.Ebook] Free PDF Inefficient Markets: An Introduction to Behavioral Finance (Clarendon Lectures in Economics), by Andrei Shleifer

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The efficient markets hypothesis has been the central proposition in finance for nearly thirty years. It states that securities prices in financial markets must equal fundamental values, either because all investors are rational or because arbitrage eliminates pricing anomalies.

This book describes an alternative approach to the study of financial markets: behavioral finance. This approach starts with an observation that the assumptions of investor rationality and perfect arbitrage are overwhelmingly contradicted by both psychological and institutional evidence. In actual financial markets, less than fully rational investors trade against arbitrageurs whose resources are limited by risk aversion, short horizons, and agency problems. The book presents and empirically
evaluates models of such inefficient markets.

Behavioral finance models both explain the available financial data better than does the efficient markets hypothesis and generate new empirical predictions. These models can account for such anomalies as the superior performance of value stocks, the closed end fund puzzle, the high returns on stocks included in market indices, the persistence of stock price bubbles, and even the collapse of several well-known hedge funds in 1998. By summarizing and expanding the research in behavioral finance,
the book builds a new theoretical and empirical foundation for the economic analysis of real-world markets.

• Sales Rank: #798436 in eBooks
• Published on: 2000-03-09
• Released on: 2000-03-09
• Format: Kindle eBook

Review

"An excellent academic discussion of [stock mispricing] and other behavioral influences in the stock market."--Jeff Madrick, New York Review of Books

"The only advanced undergraduate or graduate text available on the subject."--Jeffrey Wurgler, Yale School of Management

Review

"An excellent academic discussion of [stock mispricing] and other behavioral influences in the stock market."--Jeff Madrick, New York Review of Books

"The only advanced undergraduate or graduate text available on the subject."--Jeffrey Wurgler, Yale School of Management

About the Author
Andrei Shleifer is professor of Economics at Harvard University.

Most helpful customer reviews

24 of 29 people found the following review helpful.
Necessary Book for Finance
By W. James D. Easton
The material in this book is necessary for anyone who is responsible for managing money or involved with a business entity doing trading in financial markets. Increasingly this is "everyone."
The good news is that the conclusions and punchlines are presented clearly and simply. A person who does not want to follow the math (there is a lot of it) can skip to the arguments and conclusions and get an enormous amount of valuable information. The bad news is that little effort has been expended to make the math attractive. A person wishing to slog through the math will have to be prepared to sit down with pencil & paper & patience. Some editing by someone who cared would have made this book much more attractive to the average student. Martin Baxter & Andrew Rennie's "Financial Calculus" gives a good example of how this can be done.

1 of 1 people found the following review helpful.
Best introductory book on behavioral finance
By Robert Stephenson-padron
As has been admitted by even the staunchest former proponents of financial economics (such as Burton Malkiel), the multi-decades old dominant intellectual field in academic finance has piled up against itself persistent anomalous data. Thus, it is no surprise, as the science of economics advanced, that a new intellectual field would develop to challenge and replace the old. Behavioral finance, which relaxes some of the key assumptions in financial economics, utilizes survey data, and integrates knowledge from psychology to better understand financial markets, is that new intellectual field.

Although still controversial, young economists and financial professionals should become versed in this new field as early as possible: 1) because there is huge room for new research where creative economists can flex their muscle and 2) financial professionals that drop the old adherence to financial economics will have an edge over those that don't. Andrei Shleifer's work is the best introductory work on behavioral finance that I've come across, and I thus strongly recommend it to those who want a quick and easy to understand introduction to this field which is the wave of the future of academic finance (well, I hope).

Robert Stephenson-Padron
MSc student (economics & finance)
University of Navarra, Spain

58 of 60 people found the following review helpful.
chapter by chapter critique
By Eric Falkenstein
Chapter 1 lays out the two pillars to his argument: a theory of investor sentiment, and limits to arbitrage. Both are needed, as without systematic deviations from rationality, irrational decisions cancel each other out, making them somewhat uninteresting (excepting increasing volume); without limits to arbitrage such irrational deviations from `true value' are instantly poached by savvy rational investors.
The first model shows that if arbitrage is limited and noise traders have systematic biases, prices can deviate from fundamental value (DeLong et al, 1990a). That is, Shell can deviate from its fundamental value because no one has enough money and time to put the price into equilibrium, and investor sentiment varies between markets and over time. This model also has the interesting implication that less informed investors might earn a higher rate of return on their total portfolios because they irrationally believe they have a more favorable risk-return opportunity and hence invest in securities with a higher return. In effect, their stupidity effectively diminishes their risk aversion, and in the long run allows a lucky few of them to reap the financial rewards that would accrue to the less risk averse (one could call it the `Forrest Gump' effect). As opposed to speculation weeding out the irrational traders and making only the best opinions matter, the irrational can dominate.
The closed fund puzzle is presented in chapter three and highlights some of the problems of this approach (Lee, Thaler and Shleifer, 1991). The issue to be explained is why 1) funds are issued at premiums to net asset value (overpriced) and 2) funds eventually trade at discount to net asset value (underpriced). While the underpricing is addressed through the mechanism outlined in the first model (limited arbitrage and noise traders), the overpricing effect is addressed by assuming that `noise traders' buy up the initial issuance-not very subtle. Clearly if noise traders can be foisted into overpaying or underpaying within models by assumption, it is hard to avoid the inference that this approach can explain everything and thus nothing.
Of course on occasion EMH proponents also try to explain seemingly everything, where exceptions are assumed order-statistics until they are granted statistical significance, at which time they are instantly seen as an efficient proxy of unmeasured risk (e.g., the value and size effect). Yet explanatory greediness is clearly more of a problem to the inefficient markets camp. For example, in addition to the above example, investor sentiment is used to explain both the equity-premium puzzle (i.e., why stock prices are too low on average) and why recent p/e multiples are too high (page 180): if the equity-premium is a `puzzle' it is difficult to also say that our currently historically high p/e multiple is irrational, but if the p/e ratio `should' be lower (around 15) then the equity premium is not a puzzle.
In chapter 4 a nice approach is taken towards professional arbitrage (Shleifer and Vishny, 1997). By modeling it as a principal agent problem, this model captures some relevant issues usually addressed by the Industrial Organization literature. Clearly there is relevance to modeling the situation where hedge fund managers have uncertain skill and investors have to evaluate them. The failure of famed hedge fund LTCM in 1998 was defended, like almost all bankruptcies, as a failure of investor's patience--outsiders are always much quicker at pulling the plug than insiders would prefer. Modeling, in this case, a liquidity constraint, is a highly relevant issue that seems well suited for asymmetric information and principal-agent modeling.
Chapter 5 introduces the model of investor sentiment, that is, why we should expect noise traders to vary systematically in their buy or sell orders (Barberis, Shleifer, and Vishny, 1998). It derives a straightforward and testable hypothesis based on Bayesian updating of a regime-switching model. For earnings or other surprises that continue a trend, overreaction is predicted, for surprises that counter a trend, underreaction is predicted.
In chapter 6, we see the DeLong, Shleifer, Summers, and Waldeman series on noise traders and positive feedback loops (DSSW, 1990b). This sort of model bothers me because it is a bit disingenuous. It puts superficial rigor onto to the simple idea that "given constraints on arbitrage, irrational trend-following investors can make it rational to follow trends, and thus rational traders can be destabilizing." It is not a compelling model because the results are not derived inevitably and subtly from general assumptions and a friction, but instead from assumptions which guarantee the result (e.g., trend-following noise traders and limited arbitrage). Is it at all helpful to take a straightforward idea that can be clearly expressed in a sentence and model this with contrived algebra? Personally I do not think so, though the realist in me understands that without a model to point to, the idea would not be taken as seriously as it has.
It is stressed throughout the book that risky arbitrage makes taking advantage of pervasive irrationality difficult. Yet if irrationality is a systemic and pervasive phenomenon, then there exist hundreds of scenarios like mispriced Shell, overvalued Amazon, undepriced closed funds, overvalued currencies, overvalued IPOs, etc. Surely over several years these positions, somewhat independent, should make significant abnormal risk-adjusted returns. As is more probable, there are not hundreds of such situations, but perhaps a handful, and with the rational markets assumption ignored hundreds more opportunities appear to exist but actually do not (e.g., the small firm effect). Be sure to monitor Thaler's funds (UBRLX and UBVLX) and Sheifer's fund (LSVEX).

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[J428.Ebook] PDF Download Nothing More to Lose (NYRB/Poets), by Najwan Darwish

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Nothing More to Lose is the first collection of poems by Palestinian poet Najwan Darwish to appear in English. Hailed across the Arab world  and beyond, Darwish’s poetry walks the razor’s edge between despair and resistance, between dark humor and harsh political realities. With incisive imagery and passionate lyricism, Darwish confronts themes of equality and justice while offering a radical, more inclusive, rewriting of what it means to be both Arab and Palestinian living in Jerusalem, his birthplace.

• Sales Rank: #1055779 in Books
• Published on: 2014-04-29
• Released on: 2014-04-29
• Original language: English
• Number of items: 1
• Dimensions: 7.00" h x .31" w x 4.51" l, .20 pounds
• Binding: Paperback
• 120 pages

Review
"Roughly halfway through Najwan Darwish’s Nothing More to Lose, wiping awkwardly at tears and trying self-consciously not to sob with my partner in the room, I found myself wondering what someone with no connection to Palestine would make of it…Here is what I think they would find: a collection of very short poems — often no more than a page — speaking of love, sorrow, loss, hope and despair in a voice simultaneously so passionate and so matter-of-fact that it stops the breath." —NPR Books

“Readers may presume that writers faced with the immediate realities of life under occupation are limited by the attendant tropes of rage and despair, or else flee into sentimentality or aesthetics. Najwan Darwish’s poetry is different. Constrained by neither temporality nor place, his poetry is a medium of defiance, employing a sharp wit to illuminate absurdities and injustices. Darwish’s poetry renders the particularity of the Palestinian experience in luminous imagery and piercing obser-vations, but his imagination and interests are not limited by borders.” —Emily Dische-Becker, Poetry International

“One of the most exciting young voices in the Arab world.” —Nathalie Handal
 
“Najwan Darwish’s poetry is different: it seems to have overcome the false dichotomy between poetry and social and political reality. What struck me first about reading these poems is his capacity to do justice to both poetry (to image, to condensed form) while also doing justice to its surrounding reality. This is a significant challenge: how to mediate between two intense forms without ruining either.” —Bashir Abu-Manneh, Barnard College

“The poems…are passionately lyrical, and their imagery is acutely effective….an invitation to learn lessons from history and to know that in the end there is victory for those who persevere, those who may have been forgotten but whose courageous deeds lived to create better lives for future generations.” —Issa J. Boullata, World Literature Today

About the Author
Najwan Darwish, one of the foremost Arabic-language poets of his generation, was born in Jerusalem in 1978, exactly thirty years after his family was exiled from their home in the western part of the city. Shortly after studying in Amman, Jordan, and becoming a lawyer, Darwish decided to give up law and devote himself more fully to literature. He has worked as the editor of two cultural magazines in Palestine and was a cultural critic for the prominent Lebanese newspaper Al-Akhbar from 2006 to 2012. Darwish has been an organizer and advisor for many public arts projects, among them the Palestine Festival of Literature. In 2009, he founded a literary press in Jerusalem, and he is currently involved in establishing a new pan-Arab newspaper, where he will be the chief editor of the arts and culture section. Darwish’s poetry is informed by Arabic and Western poetic traditions, both classical and modern, as well as by Persian Sufi poetry. Since the publication of his first collection in 2000, his poetry has been acclaimed across the Arab world and has been translated into fifteen languages. In 2009 he was on the Hay Festival Beirut’s list of the “best 39 Arab authors under the age of 39.” He currently resides in Jerusalem.

Kareem James Abu-Zeid was born in 1981. Half American and half Egyptian, he has translated novels by the Lebanese writer Rabee Jaber and the Sudanese writer Tarek Eltayeb, as well the poetry collection The Iraqi Nights by Dunya Mikhail. Abu-Zeid also translates from French and German, and has taught university courses in four different languages in Berkeley, Mannheim, and Heidelberg. He works as a freelance translator and editor, and is currently writing a history of psychedelic literature that is doubling as his PhD dissertation in comparative literature at the University of California Berkeley.

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2 of 2 people found the following review helpful.
Poems for life
By Germana Nijim
Najwan Darwish writes the sort of poems one wants to commit to memory. They touch one's heart and make a person richer by knowing them.

1 of 1 people found the following review helpful.
Beautiful, insightful, and haunting
By birdgirl54
This beautiful, yet haunting collection of poetry by Najwan Darwish, deftly translated from the original Arabic by Kareem James Abu-Zeid, transported me into the world of the Palestinian refugee. Not only is his experience personal, but his poetry speaks about his people and perhaps the plight of all refugees. In his poem, "The Mousetrap", Darwish sums up that plight with grace and beauty: "The mouse in the trap says: History is not on my side...Yet despite all this, I have faith my progeny will prevail." His poetry conveys anger, desperation, and yet, hopefulness. Initially I read one poem a night, leaving me time to take in his thoughts and emotions. Darwish seems to speak with many voices, yet when I reread the entire collection in an evening, I could see how it all fits together beautifully. So happy to have shared a part of his world.

0 of 0 people found the following review helpful.
This beautiful short book
By M. Lynx Qualey
This beautiful short book, in a very strong translation from Kareem James Abu-Zeid, collects poems from throughout Najwan Darwish's career. Najwan's poems can move a crowd while still going beyond the expected, into another world where the language is familiar but the images bring us to the new.

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[D825.Ebook] Download Ebook My Year with Eleanor: A Memoir, by Noelle Hancock

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“I honestly loved this book.”
—Jim Norton, New York Times bestselling author of I Hate Your Guts

“Eleanor taught Noelle that, first and foremost, Courage Takes Practice. Her yearlong quest to face her terrors, great and small, is moving, enriching, and hilarious—we readers are lucky to be along for the ride.”
—Julie Powell, bestselling author of Julie & Julia

In the tradition of My Year of Living Biblically and Eat Pray Love comes My Year with Eleanor, Noelle Hancock’s hilarious tale of her decision to heed the advice of First Lady Eleanor Roosevelt and do one thing a day that scares her in the year before her 30th birthday. Fans of Sloane Crosley and Chelsea Handler will absolutely adore Hancock’s charming and outrageous chronicle of her courageous endeavor and delight in her poignant and inspiring personal growth.

• Sales Rank: #29000 in Books
• Brand: Brand: Ecco
• Published on: 2012-06-05
• Released on: 2012-06-05
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .68" w x 5.31" l, .50 pounds
• Binding: Paperback
• 304 pages

Features

• Used Book in Good Condition

Review
“It’s a terrific book!” (Kathie Lee Gifford, The Today Show)

“Poignant...hysterical...While there are plenty of books with women ‘taking a year,’ don’t dismiss this one.” (Forbes.com)

“In this lighthearted and often funny memoir, Hancock...brings her experiences to vivid life and, through her interest in and compassion for Eleanor, is kinder to herself; there is plenty to entertain and inspire.” (Publishers Weekly)

“A charmingly candid memoir of the year a young journalist spent conquering her deepest fears.... Inspired, white-knuckled fun from start to finish.” (Kirkus Reviews)

“Whether she is confronting terrifying sharks in a diving cage or her tangled feelings about her boyfriend Matt, she demonstrates how thrilling it can be to face your fears. I double-dare you to read this book!” (Booklist)

“Eleanor taught Noelle that, first and foremost, Courage Takes Practice. Her yearlong quest to face her terrors, great and small, is moving, enriching, and hilarious—we readers are lucky to be along for the ride.” (Julie Powell, bestselling author of Julie & Julia)

“Noelle Hancock makes an eloquent case for spending a year with Eleanor Roosevelt, but an even more persuasive one for spending 300 pages with Noelle Hancock. Her book is a fresh and funny delight.” (Andy Borowitz)

“Noelle Hancock joyfully shows us the exhilaration of confronting fear, whether that fear is jumping out of airplanes or having a committed relationship with another adult—or reading something longer than a tweet.” (A.J. Jacobs, New York Times bestselling author of The Year of Living Biblically)

“Beneath the hilarious and heart-racing adventures of Noelle Hancock’s year of fear is a wise and heartfelt book about becoming the person you’ve always wanted to be.” (Jill A. Davis, New York Times bestselling author of Girls' Poker Night)

“I honestly loved this book. It had all the qualities of great sex; intense, funny, and parts of it were so uncomfortable my palms were sweating.” (Jim Norton, New York Times bestselling author of I Hate Your Guts)

From the Back Cover

After losing her high-octane job as an entertainment blogger, Noelle Hancock was lost. About to turn twenty-nine, she'd spent her career writing about celebrities' lives and had forgotten how to live her own. Unemployed and full of self-doubt, she had no idea what she wanted out of life. She feared change—in fact, she feared almost everything. Once confident and ambitious, she had become crippled by anxiety, lacking the courage required even to attend a dinner party—until inspiration struck one day in the form of a quote on a chalkboard in a coffee shop:

"Do one thing every day that scares you." —Eleanor Roosevelt

Painfully timid as a child, Eleanor Roosevelt dedicated herself to facing her fears, a commitment that shaped the rest of her life. With Eleanor as her guide, Noelle spends the months leading up to her thirtieth birthday pursuing a "Year of Fear." From shark diving to fighter pilot lessons, from tap dancing and stand-up comedy to confronting old boyfriends, her hilarious and harrowing adventures teach her about who she is and what she can become—lessons she makes vital for all of us.

About the Author

NOELLE HANCOCK is a former staff writer for the New York Observer. Her work has appeared in GQ, Gawker, Us Weekly, and elsewhere. She was born and raised in Houston, Texas, and graduated from Yale University. She lives in Manhattan with her parakeets, Jesus and Stuart. Her parents are still holding out for law school.

Most helpful customer reviews

219 of 239 people found the following review helpful.
Equivalent of reality TV.
By Anne Pann
I am in a book club of women between 55 and 90, and none of us cared for this book, other than the parts about Eleanor Roosevelt. From all the postive reviews, I can only guess that it appeals more to younger women. My personal view, which may sound a little harsh, is that the author, whose one over-riding fear seems to be not winning at everything she does, wanted to write a book but needed material, so she created this concept of doing things she was afraid of. This seems to be a trend in publishing, perhaps started by "Eat, Pray, Love" and the book about the girl cooking Julia Child recipes (also see "Animal, Vegetable, Miracle" by Barbara Kingsolver) -- authors pitch an idea to publishers that involves setting up some kind of challenge for themselves for a year and then they write about it. It's the eqivalent of a reality TV show. Most of us found her challenges superficial and somewhat forced. One person commented "She went from writing about celebraties to trying to become one herself by writing a book about herself." Way too much narcisism here. She has good writing skills, but needs a subject that has some substance.

0 of 0 people found the following review helpful.
... in law had it on her wish list and enjoyed it!
By pattyv
My daughter in law had it on her wish list and enjoyed it!

45 of 51 people found the following review helpful.
Inspiring Memoir About Facing Fears Big and Small
By Rachel Kramer Bussel
Normally I'm somewhat wary of "I tried __ for a year" memoirs, but this one is delightful, inspiring and offers some history lessons. When Noelle Hancock learns that her entertainment blogging job has ended, she's at a loss as to what to do. In therapy, she's trying to overcome her fears, and she decides to look to Eleanor Roosevelt for advice, latching on to the First Lady's prompt to do one thing each that scares you. Hancock doesn't detail 365 feats, but the ones she does are at turns dramatic (shark diving, trapeze work, climbing Mount Kilimanjaro), unnerving (working at a mortuary to conquer her fear of death), amusing (doing standup comedy is the thing she fears most) and more everyday (weaning herself off sleeping pills). Along the way she writes about her fears about whether her boyfriend's reporter job will always outshadow her and the future of their relationship.

What I appreciated most is that Hancock is not trying to tell everyone to apply Eleanor's advice, and she grapples constantly with being "ready" to face her fears, taking her last sleeping pill when she is forced to by the mountain climb. She isn't overly self-deprecating, but does bare her fears in a way that makes it almost impossible not to like her as a narrator--or look inward at one's own fears. She also shines a bit of light on some of the major accomplishments of Eleanor Roosevelt, and while the two are from very different times, the effect Eleanor has on the author is clear in her references and devotion to living according to her spirit. This memoir never feels predetermined, and Hancock's insights into her accomplishments are as worthy of attention as her feats themselves, especially relating to Kiliminjaro. She shows an empathy and compassion that extends to her friends and those she meets (including the dead) as well as to herself.

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[H809.Ebook] Ebook Download Literary Criticism: An Introduction to Theory and Practice, by Charles E. Bressler

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Presents the eleven basic schools of twentieth-century literary theory and criticism in their historical and philosophical contexts.  Unlike other introductions to literary criticism, this text explores the philosophical assumptions of each school of criticism, provides a clear methodology for writing essays according to each school's beliefs and tenets, and features accessible student-generated sample essays.

• Sales Rank: #170790 in Books
• Published on: 2006-08-05
• Original language: English
• Number of items: 1
• Dimensions: 9.09" h x .90" w x 6.01" l, 1.05 pounds
• Binding: Paperback
• 352 pages

From the Back Cover

The fourth edition of the bestselling Literary Criticism: An Introduction to Theory and Practice showcases various schools of 20th century criticism in historical and philosophical contexts. 

 

New features include:

 

·   A new chapter on queer theory.

·   Every chapter has been revised with new introductions with appropriate new critical vocabulary, critical terms, further readings sections, and web sites.

·   New student essays

·   Structuralism and Deconstruction have been combined into one section to make the material clearer and more streamlined.  

·   The addition of Plotinus, Giovanni Boccaccio, Joseph Addison, Percy Pysshe Shelley, and Mikhail Bakhtin.

 

 

Pick a Penguin Program*

 

We offer select Penguin Putnam titles at a substantial discount to your students when you request a special package of one or more Penguin titles with this text.  Please contact your local Prentice Hall Sales Representative for more information. 

Excerpt. © Reprinted by permission. All rights reserved.
To the Reader

Like the first two editions, this new edition of Literary Criticism is designed as a supplemental text for introductory courses in both literature and literary criticism. In all three editions, the purpose of this text has always remained the same: to enable students to approach literature from a variety of practical and theoretical perspectives and to equip them with a theoretical and a practical understanding of how critics develop their interpretations. Its overall aim is to take the mystery out of working with and interpreting texts.

Like the first and second editions, the third edition holds to several key premises. First, I assume that there is no such thing as an "innocent" reading of a text. Whether our responses to a text are emotional and spontaneous or well reasoned and highly structured, all of our interpretations are based on underlying factors that cause us to respond in a particular way. What elicits these responses, and how a reader makes sense out of a text, is what really matters. It is the domain of literary theory to question our initial and all our further responses, our beliefs, our values, our feelings, and our eventual, overall interpretation. To understand why we respond to a text in a certain way, we must first understand literary theory and criticism.

Second, since our responses to any text have theoretical bases, I presume that all readers have a literary theory. Consciously or unconsciously, as readers we have developed a mind-set that fits or encompasses our expectations when reading any text. Somehow we all seem able to make sense of a text. The methods we use to frame our personal and public interpretations directly involve us in the process of literary criticism and theory and automatically make us practicing literary critics, whether we know it or not!

My third assumption rests on the observation that each reader's literary theory and accompanying methodology is either conscious or unconscious, complete or incomplete, informed or ill-informed, eclectic or unified. Since an unconscious, incomplete, ill-informed, and eclectic literary theory more frequently than not leads to illogical, unsound, and haphazard interpretations, I believe that a well-defined, logical, and clearly articulated theory will enable readers to develop their own methods of interpretation, permitting readers, in fact, to order, clarify, and justify their appraisals of a text in a consistent and rational manner.

Unfortunately, many readers cannot articulate their own literary theory and have little knowledge of the history and development of the ever-evolving principles of literary criticism. It is the goal of this book to introduce such students to literary theory and criticism, its historical development, and the various theoretical positions or schools of criticism that will enable them as readers to make conscious, informed, and intelligent choices about their own methods of interpretation.

Like the first two editions, this new edition introduces students to the basic concerns of literary theory in Chapter 1, which now includes a more expansive definition of literature itself. Chapter 2 places literary theory and criticism in historical perspective, starting with Plato and ending with modern-day theorists. Chapters 3 to 11 have all been revised, adding new terminology where appropriate. These chapters present the eleven major schools of criticism that have been developed in the twentieth century: New Criticism, Reader-Response Criticism, Structuralism, Deconstruction, Psychoanalytic Criticism, Feminism, Marxism, Cultural Poetics or New Historicism, and Cultural Studies, with an expanded discussion of Postcolonialism, including African American and Gender Studies. To maintain consistency and for ease of study, each of these chapters is identically organized. We begin with a brief Introduction followed by the Historical Development of each school of criticism. The Assumptions section, which sets forth the philosophical principles on which each school of criticism is based, is next. The Methodology section follows and serves as a "how-to" manual for explaining the techniques used by the various schools of criticism to formulate their interpretations of a text based upon their philosophical assumptions. All chapters in the third edition have received careful editing, with added terminology and scope of coverage. Throughout each of these sections, all key terms are in boldface type and are included in the new Glossary that appears at the back of this edition.

After the Methodology section, there is an expanded Questions for Analysis section in 'Chapters 3 through 11. This feature provides students with key questions to ask of a text in order to view that text from the perspective of the school of criticism under discussion. Some of the questions also ask students to apply their new-found knowledge to a particular text. Following this section is the Student Essay introduction, which poses critical questions to prepare students to read the example essay at the end of the Chapter. As in the first two editions, this undergraduate Student Essay provides an example for analysis, in which a student applies the principles and methods of interpretation of the school of criticism under discussion to one of nine primary texts in the Literary Selections. All of these primary texts can be found at the back of this edition.

Following the Student Essay warm-up is an updated Further Reading section. More comprehensive than in the first two editions, these selected references complement the more extensive References section found at the end of the text. After the Further Reading section, an updated Web Sites section appears that provides additional avenues of exploration for each of the schools of criticism. It is often the case that these World Wide Web addresses include links to other sites, thus providing opportunities to venture into the ever-expanding world of literary theory.

Since Literary Criticism is an introductory text, the explanations of the various schools of criticism should not be viewed as exhaustive but as a first step toward an understanding of some rather difficult concepts, principles, and methodologies. Similarly, the student essays should not be viewed as literary masterpieces but as undergraduate attempts to employ differing literary theories. Instructors and students alike should feel free to critique these essays and explore both their strengths and weaknesses. After reading each of the chapters in this new edition, it is hoped that readers will continue their own investigations of literary theory by exploring advanced theoretical texts and the primary works of both theoretical and practical critics.

Most helpful customer reviews

32 of 33 people found the following review helpful.
Must-Have for Anyone with an interest in Literary Criticism
By TCC-O
Literary Criticism is one field of study that, no doubt, confuses most people with all the "-isms". Charles Bressler's book is a very useful tool in sorting out all these "-isms". This is a well-organized book: each chapter focuses on a different theory and discusses the theory's historical development, assumptions, methodology and even has questions for analysis (great help when writing a paper). The chapter culminates in two essays of application of that particular theory. This is the most popular and widely-circulated book among Lit Majors in my university. And this is one that you should definitely own.

21 of 23 people found the following review helpful.
Excellent guide for beginners.
By Hesper23
4 years of English studies, and I never once sat down to read literary theory until I had to take a course in it. Bressler's book helped me immensely to sort out the confusing mass that is theory. He lists a dozen or so major movements, such as formalism, reader-response criticism, structuralism, and post-structuralism, and also includes "additional" chapters on individual theorists such as Barthes, Levi-Strauss, etc. The explanations are concise. I also like how this professor turned author looks at theory from the student's perspective: he breaks down complicated ideas into manageable parts, without losing the essential point of the theory.

Another book that I found helpful was *Literary Theory: An Anthology* ed. Julie Rivkin. Unlike Bressler's book, this one is HUGE and very heavy, but nonetheless useful.

Actually, after reading more about literary theory, I'm no longer scared of it. So, if you're like me, a "newbie" to literary theory, you'd do well to start with this book.

32 of 37 people found the following review helpful.
too many typos in 4th edition
By Mark Trevor Smith
After looking at the third edition, I ordered this book for a class that I teach. The fourth edition contains many changes, all of them for the worse. The literary selections in the 4th edition are not as well chosen; the added paragraphs in the chapters on New Criticism and feminism are stylistically awkward and often confusing and repetitive, not to mention factually questionable (the claim that there were no voices in feminism between Pisan and Wollstonecraft!). Most distressing of all, this edition was apparently rushed to press in time for classes in fall 2006, for it contains typos about every five or six pages. The chapter on feminism alone has at least ten errors, e.g., "one in the same," "least" instead of "lest" (that mistake was carried over from the third edition), "lastest"!!!, inconsistency in verb number after "a variety of [plural nouns]," etc. The publisher should send an apology to all purchasers of this book, along with a list of errata. On the bright side: I tell my students that I can't penalize them too much for small errors, when the textbook contains so many!

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