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The Cellar: A Novel, by Minette Walters
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From the internationally bestselling, award-winning crime writer Minette Walters, The Cellar is a harrowing, compulsively readable novel about a family of African immigrants, the Songolis, and the dark secret they keep hidden in the depths of their seemingly respectable British home.
On the day Mr. and Mrs. Songoli’s young son fails to come home from school, fourteen-year-old Muna’s fortunes change for the better. Until then, her bedroom was a dank windowless cellar, her activities confined to cooking and cleaning. Over the years, she had grown used to being abused by the Songoli family—to being their slave.
Now that Scotland Yard has swarmed the Songoli house to investigate the disappearance of the son, Muna is given a real bedroom, real clothing, and treated, at least nominally, as a daughter. But her world remains confined. She is not allowed to go outside, doesn’t know how to read or write, and cannot speak English. At least that’s what the Songolis believe. Before long it becomes clear that young Muna is far cleverer—and her plans more terrifying—than the Songolis, or anyone else, can ever imagine.
- Sales Rank: #92962 in Books
- Published on: 2016-02-02
- Original language: English
- Number of items: 1
- Dimensions: 8.30" h x .90" w x 5.60" l, .0 pounds
- Binding: Hardcover
- 192 pages
From School Library Journal
Stolen from her home in Africa six years earlier, 14-year-old Muna lives as a slave to Ebuka, Yetunde, and their two boys. When she is not cleaning or tending to the family, she is hidden in the cellar, her one refuge. Daily beatings and berating by Yetunde leave her silent and wary. And even the cellar provides no real safety, for she is regularly raped by Ebuka. But when the younger boy goes missing, things change for Muna. Brought up from the cellar and into her own room, given new clothes, and disguised as the family's mentally deficient daughter, Muna relishes her new position as the police question her and the family. Weeks go by, but the boy's disappearance remains unsolved. Throughout the questioning, it becomes apparent that not only is Muna not mentally deficient but she is intelligent, has learned English, and is determined to create a life for herself by using those who have cruelly taken advantage of her. Not knowing whom to trust and unaware of the wider world, Muna works step by patient step, exacting revenge upon this family. One by one, family members begin to realize that Muna has more power than they thought possible. By the end, readers will be pondering: Are killers born, or are they created? VERDICT Offer to mature teens who can handle the dark side of the human condition.—Connie Williams, Petaluma High School, CA
Review
Praise for The Cellar:
A Deadly Pleasures Best Novel of the Year
“When you read about sadists who have brutalized their housekeepers or au pairs, you try not to think about what life was like for those poor slaveys. But Minette Walters lets her imagination run free in The Cellar. An intimate and upsetting story about Ebuka and Yetunde Songoli, a rich immigrant couple from an unnamed West African nation who claimed 8-year-old Muna from an orphanage and took her to England . . . [Walters] writes with the subtle cruelty and pitiless insights of [Ruth Rendell’s] alter ego, Barbara Vine.”—Marilyn Stasio, New York Times Book Review
“This short work reads like a recipe for evil and may well induce a nightmare or two . . . Sly pacing and a detached narrative voice give this horror story exceptional punch.”—Kirkus Reviews (starred review)
“The Cellar is a shocker . . . A powerful work . . . A multi-layered novel packed full to the brim of its pages with quiet horror and realism . . . If you are unfamiliar with Walters’ other work, you will want to acquaint yourself sooner rather than later.”—Bookreporter
“Haunting . . . Walters nails a perfect blend of psychological suspense and social commentary that resonates long after the book is over.”—Publishers Weekly
“Those who enjoy their fairy tales fractured, in the style of Angela Carter and Roald Dahl, will revel in this decidedly dark and droll retelling of the story of a kick-ass Cinderella by veteran writer Walters.”—Library Journal
“A harrowing thriller . . . My blood ran cold, and I couldn’t put it down. Walters’ use of language is especially good . . . I highly recommend it.”—Killer Nashville
“A dark, disturbing tale told very, very well . . . A taut and harrowing exploration of man’s capacity to inflict pain and cruelty in the complete absence of a moral compass. There are no subplots or extraneous characters to distract from this powerful story . . . Walters tells Muna’s story in unsparing language . . . It is a remarkable achievement that starkly illustrates the horrors we are capable of inflicting upon one another.”—Washington Independent Review of Books
"A compulsive (and gruesome) read."—Independent (UK)
"Creepy . . . a domestic horror about punishment and retribution."—Sydney Morning Herald
From the Back Cover
From internationally bestselling crime writer Minette Walters comes The Cellar—a harrowing and compulsively readable novel about a family of African immigrants and the dark secret they keep hidden in the depths of their seemingly respectable British home.
On the day Mr. and Mrs. Songoli’s ten-year-old son fails to come home from school, fourteen-year-old Muna’s fortunes change for the better. Until then, her bedroom has been a dank, windowless cellar, her activities confined to cooking and cleaning. Over the years, she has grown used to being abused by the Songoli family—physically, emotionally, and even sexually. She has grown used to being their slave.
With the son’s disappearance, Scotland Yard swarms the Songoli home, led by a savvy female inspector who isn’t afraid to ask hard questions. To keep up appearances, Muna is given a real bedroom and real clothing, and she is treated, at least nominally, as a daughter. But when the police leave the premises, she must once again call her captors “Princess” and “Master,” and her world remains confined. She is not allowed to go outside, doesn’t know how to read or write, and cannot speak English. At least that’s what the Songolis believe. Before long, it becomes clear that young Muna is far cleverer—and her plans far more terrifying—than the Songolis, or anyone else, could ever imagine.
For fans of Ruth Rendell and P. D. James, The Cellar reveals a terrifying world far from the publiceye, and shows what happens when humanity is pushed to its very limit.
Most helpful customer reviews
8 of 9 people found the following review helpful.
Please Go Back To Full Length Novels
By boswell
Like everyone else, the ending here left me cold. However, because it is Walters, and because the rest of the book was so taut and edge of your seat suspenseful, I still give it 4 stars. Nonetheless, this is nowhere near as good as just about all of her full length novels, and I am left wondering why she switched to the novella format which I really think does not work as well for her.
4 of 5 people found the following review helpful.
Striking Start/Flat Middle and End
By O. C. Mitchell Jr.
I have enjoyed this author's work for many years. She truly is talented, and she pays extreme attention to detail.
This novel grabs and holds you for the first third. The writer clearly studied carefully the culture of the black Africans featured in the book. Frankly, Walters' previous works demonstrate a keen ability to understand and appreciate cultures that are remarkably different from hers. This is a wonderful skill for a fiction writer because everything in the book is not dependent on a writer's limited exposure and cultural biases. This skill was obvious to me when she published "The Shape of Snakes" many years ago.
The leading characters were introduced nicely, and without any burden to the reader. The violence was graphic. The sexual assaults were described as they should be described -- as foul, ugly attacks on a vulnerable and innocent person. The plot develops and emerges nicely.
The introduction of the secret room in the basement reminded me of the writing technique used in one of Poe's short stories.
I found extremely impressive Walters' sense of, and description of, the mind and function of a young, uneducated and illiterate girl. She shifted with ease to very simple and very basic terms from the perspective of this person to describe her experiences as a very young captive and slave. Getting into the mind of this youngster, she never used polite or anatomical terms to describe parts of the body. Walters' clearly has the depth and the capacity to get into the mind of this character and describe the world and events of a person who never was taught anything. By way of examples, this black African girl describes the persons from outside her home -- her prison -- simply as "the white." (This reference was descriptive and fair; they actually were white people and the persons she lived with all were black.) Following a sexual assault and a violent penetration, the girl describes her vagina as "my hole." A simple mind might see a part of the body this way.
Following two homicides, the middle of the book gets weak. I found it somewhat boring.
The end of this publication was extremely weak. It just left me hanging unfairly.
Overall, this is a decent book. As I mentioned earlier, the beginning was very good; the character development was very good; the plot was developed well; the featured African culture was handled nicely; and the dialogue was clear and precise. What follows the first third was disappointing.
0 of 0 people found the following review helpful.
This is a good quick read.
By Lora
This is a good quick read told different!y from the victim angle. Strong character. I enjoyed this book and would read more of Ninette Walters works.
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